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Bollyn's Letter from Slaughterhouse Five

by Christopher Bollyn
19 February 2004

 
Like a phoenix, Dresden’s magnificent Frauenkirche, a masterpiece of baroque architecture, has risen from the ashes, its amazing 10-year reconstruction the result of “the most successful initiative of ordinary citizens” in German history.


The Frauenkirche was destroyed in the Allied fire bombing of Dresden, which incinerated the city and an estimated 600,000 people, many of them refugees.  Here the Frauenkirche lay in ruins in 1967.  The statue is of Martin Luther.


The gold dome was lifted into place on the rebuilt church in 2004.


Dresden's Frauenkirche as it looks today

 
Slaughterhouse-Five on the Elbe River is about one mile from the city center and was only slightly damaged in the raids. It was a working slaughterhouse until 1995.


While some of the buildings have been recently renovated to form part of a convention center, much of the slaughterhouse complex remains as it was when Vonnegut and other prisoners-of-war were held here.  Here is a photo of the water tower before the war... 


and as it looked in 2010.  The Wenotel, the small hotel where I lived when I wrote this letter, was located inside the fence to the left.

SLAUGHTERHOUSE-FIVE, Dresden - The unique “Stone Bell” dome of the Frauenkirche (Church of Our Lady) once again graces the skyline of Dresden, 59 years after it was reduced to rubble by the firebombing caused by 772 British Lancaster bombers on Ash Wednesday, 1945. For more than 45 years the ruins of the baroque masterpiece lay in a massive mound of rubble, “a gripping reminder of the city’s destruction.”

When the ornate gold cross, donated by Britain’s Dresden Trust, is set atop the pinnacle of the dome on June 22, 2004, it will mark 10 years of reconstruction, the most extensive rebuilding effort in German history. Aaron Smith, the British goldsmith who created the new pinnacle cross, exactly like the original, is the son of one of the British Lancaster pilots who bombed Dresden in 1945.

The sandstone Frauenkirche, originally designed and built in 1726-1743 by State Master Builder and Architect Georg Bähr, was considered, before its destruction, to be the most significant church building of German Protestantism and one the great masterpieces of European architecture.

The rebuilding of the church’s interior with its famous Gottfried Silbermann organ from 1736 will be finished for the church’s re-opening on October 30, 2005, in time for Dresden’s 800th anniversary in 2006.

The initiative to rebuild the Frauenkirche began with a group of 14 citizens led by Dresden musician Ludwig Güttler in 1990. Today the society funding the rebuilding has more than 6,400 members in Germany and 20 other nations.

In the United States the rebuilding effort is supported by Friends of Dresden, Inc., headed by the Nobel laureate Dr. Günter Blobel who donated the $1 million he received when he won the Nobel Prize for Medicine in 1999.

The reconstruction, when completed, will have cost some $170 million, most of which was raised through individual donations. Some $12 million is still needed.

While the rebuilding of Dresden’s Frauenkirche has a special significance, there are a number of architectural masterpieces in the Saxon capital, formerly known as “Florence on the Elbe,” which have been completely restored since 1945. Among these are the Semper opera house, the Zwinger galleries, and the Catholic cathedral.

As the people of Dresden remembered the destruction of their city and the loss of life on Feb. 13-14, 1945, a controversial book about the Anglo-American firebombing attacks appeared in British and American bookstores.

Dresden, Tuesday, February 13, 1945 by Frederick Taylor has been praised by a number of reviewers in Britain and the United States. The Chicago Sun-Times described Taylor’s work as “a masterpiece of scholarship and evenhanded reporting.”

“He absolves the Allies,” The Scotsman (UK) wrote. Taylor’s “robust defense of the Dresden raid,” the left-leaning Guardian wrote, “…demolishes the legend that Dresden was purely a cultural center.”

While reviews in the British press praise Taylor’s defense of the firebombing for setting the “record straight,” the largest German daily, Bild, said his book was “like a blow to the face of the victims.”

As the people of Dresden commemorated the attacks with performances of Mozart’s Requiem in the Semper opera house, Taylor’s book created a scandal with its thesis that the incendiary “area bombing” and destruction of Dresden was “completely justified and useful,” Bild reported.

“A ruthless act of war,” Taylor told American Free Press about the Dresden attacks. Asked if he thought the firebombing of Dresden’s city center was justified, Taylor said, “Judged by the standards of the time it was a legitimate military target.”

However, neither the huge military base across the river nor the industrial areas around the town were targeted. Asked why the city center had been attacked, Taylor said, “That was how the British did city attacks then.” Communication centers, meaning the railroad stations, were the primary targets of the raids, he said.

Taylor said he had come to the same conclusion as Götz Bergander, author of Dresden im Luftkrieg in 1994. Bergander’s work has not been translated into English. There were 8 Allied bombing raids against Dresden between Oct. 7, 1944 and April 17, 1945. While U.S. bombers attacked Dresden six times, it was the two British night attacks of Feb. 13-14 that were the most devastating.

The first British attack, which began at 10:03 p.m. and lasted 25 minutes, involved 243 Lancaster bombers. Three hours later, at 1:23 a.m., 529 Lancasters began bombing for another 32 minutes. These are the devastating raids that The Independent (UK) said, “went horribly right.”

The British Lancaster bombers dropped one 8,000-pound explosive device and 529 4,000-pound bombs while releasing 1,181 tons of incendiary bombs during the Ash Wednesday attacks. The British tactic of “area bombing” caused huge firestorms that incinerated complete city centers.

The British tactic of creating firestorms in German cities was a “dark art,” according to The Independent’s Nicholas Fearn. The combination of high explosive munitions and incendiaries created firestorms that killed everything within a huge area. “Those above ground would be burned alive,” Fearn wrote, “while those taking refuge underground would be overcome by carbon monoxide poisoning.”

“The fire-bombing of the city of Dresden in February 1945 became probably the most controversial operation carried out by British and American forces during the Second World War,” Roger Hutchinson of The Scotsman wrote.

“A fire storm engulfed the old center of Dresden. It was deliberately created to leave no human life in its wake. Men looked from above, aghast at what they had wrought. Men, women and children down below were boiled alive in the supposed sanctuary of fountains and reservoirs,” Hutchinson wrote.

The painstaking rebuilding of Dresden’s magnificent opera house, art galleries, and churches is a remarkable achievement, and the buildings’ scorched stones serve as silent reminders of the holocaust that destroyed the historic old city and untold thousands of innocent victims in a matter of hours.

On April 17, 1945, 580 U.S. B-17 bombers dropped 1,555 tons of bombs and 165 tons of incendiary devices on Dresden. Taylor said some of the U.S. bombs were dropped on Prague by mistake.

The number of deaths caused by the firebombing remains controversial. The official figure is based only on the number of corpses that could be identified: 35,000. However, with thousands of refugees passing through Dresden and the huge piles of corpses that were cremated in the market square, some historians estimate that more than 200,000 died in the bombing of Dresden.

Art Shay, who flew combat tours over Germany in 1944-45, reviewed Taylor’s book for the Chicago Sun-Times. Taylor’s “masterpiece of scholarship,” Shay wrote, “gives the lie to much of Slaughterhouse-Five.” Slaughterhouse-Five is the title of a 1969 novel by American author Kurt Vonnegut.

“When my kids learned I had been on the Dresden mission,” John Skallerup of Chicago told Shay, “they stopped talking to me. I had murdered innocent children and 135,000 people…They learned about it in school from that Vonnegut novel they were teaching.”

While Slaughterhouse-Five is synonymous with the destruction of Dresden for many Americans, in Dresden the connection between the old slaughterhouse and American literature is virtually unknown.

As an American prisoner-of-war, Vonnegut knew his camp as “Slaughterhouse-Five,” which is actually the post address of the slaughterhouse’s administration building. Vonnegut survived the bombing in a cellar and saw the destruction of Dresden first-hand as he participated in the recovery and cremation of the corpses. Five years ago, Vonnegut returned to Dresden and visited the slaughterhouse where he had been held as a P.O.W.

A small three-star hotel called Wenotel, built in 1982, stands on part of the slaughterhouse grounds today. The walled complex, built by Dresden’s architect Hans Erlwein in 1906-11, was Europe’s most modern livestock- and slaughterhouse of its era.

Dresden is known for being the place where the first sewing machine was invented. The bra, the manufactured cigarette, tea bag, squeezable toothpaste, and the latex condom were all invented in Dresden. 


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